What is “fineâ€, the so-called “fine to†refers not only to the beauty of the technical level, but also to the matching of shape and God, which is reflected in the perfect combination of overall concept and partial decoration. It is no wonder that the carving experts and experts of mahogany classical furniture often say: "The real art is not elaborate, but cleverly conceived."
As Chinese classical furniture has been favored by more and more people, Ming-style Qing style antique furniture has become very popular in recent years, especially the copy-like furniture of the hundred workers and even thousands of workers has set off a fine-cut style, satisfying people. The pursuit of elegant life. Of course, the fine selection of finely crafted, well-crafted and sophisticated furniture is highly sought after by collectors. It is worth mentioning that although more antique furniture is finely crafted, it has been criticized as “focusing on the local and neglecting the wholeâ€, just pursuing red tape. Fine tasting, these furniture carved and full of patterns will be "fine" to the extreme, but they can not reflect the "fine" of traditional carving.
Furniture carving should promote the "fine" of the craft, that is, the match between the shape and the god, in order to take it to the next level. However, “fine†is often overlooked in the creative process, while “fine†is often over-emphasized. Excessively sculpted and "smart" without emotions, the furniture as a whole loses its ingenuity and is only craftsmanship. In the eyes of laymen, "fine" is the supreme beauty. The formation of this immature aesthetic concept and creative attitude is mostly not a technical reason, but an internal reason for the lack of understanding of the theme and content of the creation and the lack of aesthetic knowledge.
How can we achieve "fine" and achieve clever ideas? This requires the craftsman to possess skillful skills, and at the same time should have certain creative ability. It requires both intuition and rationality, and pays attention to the unity of shape and God. If we say that "fine" grasps the universality of things, "fine" reflects the unique characteristics of individuals and express them vividly. For example, walking in a crowd of people, acquaintances can recognize at a glance, why? Because you have grasped his (her) form and demeanor through familiarity and understanding. In the same way, in the process of carving furniture, the principle must also be applied to grasp the artistic conception of the carving, and should not be just a "duck-up".
In the engraving process, the characters depicting, especially the beauty carvings, can best show the artistic accomplishments. How to break through the monolithic artistic expressions such as “the melon faceâ€, the “Kuan Yin hand†and the “slim waistâ€? In fact, each beauty has different characteristics, different expressions of thoughts and emotions, and the focus of the carvings is different. For example, if you want to express Lin Daiyu in "Dream of Red Mansions", you should grasp the characteristics of her frail and sick and sentimentality, and should focus on depicting the body's thin, frowning, and morbid beauty. In the performance of "The Song of Everlasting Sorrow", Yang Guifei, her snow-skinned appearance is full of body, and her image should be full of eyes, highlighting the elegance and affection.
It can be seen that the furniture carving is a three-dimensional space art that the craftsman shows through the meticulous observation and shows the "fine" carving art, in order to pursue the silent language and the three-dimensional poetry, which is the upper realm of furniture carving. In every concern and gaze, in each of the trials and discoveries, we can find a sense of artistic feeling, and express heartfelt sighs for human artistic creation and magical wood materials. "Fine" and "fine" are dialectical and unified. "Fine" is the basis of "fine", and "fine" is the sublimation of "fine".
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